» Figure-Ground Relationship and Gestalt Psychology Best for Artists [Powerful!]
  • The Masterful Set Designs of Mary Howard
    Welcome back everyone, much love for the continued support! Today we are going be looking at the amazing set designs by Mary Howard. You may not have heard of her, but you have definitely seen her beautiful work. She is one of the set designers for Annie Leibovitz! Set design may not sound interesting, but […]

Figure-Ground Relationship and Gestalt Psychology Best for Artists [Powerful!]

What is Figure-Ground Relationship?

Figure-Ground Relationship (FGR) is one of the most important design techniques artists can use from the Gestalt psychology principles, but unfortunately it’s always overlooked. It’s used to create proper separation from the foreground and background. It’s such an obvious technique to consider, so why is it neglected?

It boils down to quality knowledge. If we don’t know about the principles of visual perception (Gestalt theories), then we’ll never be able to control them. Some artists would rather spend money on a new camera, or paint brush in hopes of improving their art, but it’s knowledge that will change things for the better.

For example, if you don’t know of figure-ground relationship, then the foreground elements will always collide with the background elements. Sure, you could get lucky and avoid the visual confusion, but why take a risk? This is your art…your pride and joy…what you were put on this earth for…shouldn’t it be held with the highest regard?

Remember from the other Gestalt theories, the mind doesn’t want to work hard to understand what it’s looking at. If it does, then it’s not as pleasing to the viewer.

MandyCollage-2-blog

On-location photos for the figure-ground relationship video.

The biggest offender of figure-ground relationship is the amateur photographer that captures a photo of their friend with the illusion of a tree growing out of their head. That’s a big no-no in the professional photography world, but it happens all the time…even in master paintings (demonstrated in the video). We always must pay attention to our backgrounds in relationship with the foreground.

Of course, there are always exceptions to all of these techniques. If we purposely want the subject to blend into the background, or want to create an illusion, then we’ll have the power to take control of it. For the most part though, we will try to get a nice figure-ground relationship by having a light figure on a dark background or vice versa.

In the conceptual self-portrait photo below, I was able to capture both…a light figure on a dark background (woman), and a dark figure on a light background (man).

figure-ground relationship-gestalt psychology-prey by tavis leaf glover

Be in Control of Figure-Ground Relationship

In this fashion photo by Helmut Newton, we have something interesting, but it could have better figure-ground relationship. The woman is wearing a dark outfit, and her dark shadow obstructs her form…making the viewer’s mind work harder to understand what is going on. To have nice figure-ground relationship, we need the separation to be clearer.

How can we fix this?

Well, if we lighten either her shadow or her costume, then we will be able to create more contrast within her form. We can see the before (left) and after (right) picture below that shows how this adjustment helps the figure-ground relationship. Since she’s wearing a dress, it’s more difficult to correct the confusion, but I think you’ll be able to see the difference in visual clarity.

The high contrast between her legs is subdued, and the shadow on the wall is lightened…to avoid any unwanted illusions or visual confusion. She’s also got an aspective view (also covered in the video) to help identify her shape even more.

figure-ground-relationship-helmut-Newton-before-after-aspective-view

Did Master Painters Ever Have Bad FGR?

No one is perfect, and painting is a difficult task in itself. That being said master painters have also been known to have bad figure-ground relationship in their masterpieces. We’ll see a few examples in the video, but for now we can see the one below by Jules Bastien-Lepage.

figure-ground relationship-gestalt psychology-lepage-haymakers

Let’s look at the contrast first. She has dark hair on a light background, which is good for our figure-ground relationship, but we’re needing sufficient contrast in other areas to improve the visual clarity.

If we run an imaginary line around her, we see that the contrast is reduced near the back of her head and her shoulder. This makes the foreground and background collide.

To top it off, the woman’s head in close proximity (also see Law of Proximity) to the groin area of the man. This creates an unwanted illusion. It’s a great painting, but we want to be in control of how the viewer perceives our art.

How do we fix this issue with figure-ground relationship?

We do the same as the last image…try to subtly increase the contrast of the concerning areas. The placement of the subjects would have to be reconsidered as well, since we would still have the questionable illusion.

In the adjusted photo below, I completely removed the man from the background to show you how simple, yet pleasing it is for the viewer. The visual clarity is much better, and this is what we are striving for when incorporating figure-ground relationship, and all of the Gestalt psychology principles.

Squint your eyes, and you can still clearly identify the form. Elite artists will understand how to use these composition techniques to their advantage to powerfully control the visual perception of their art.

figure-ground-relationship-gestalt-psychology-lepage-haymakers-before-after

Figure-Ground Relationship – What the Video Covers

This second video covers Figure-Ground Relationship, a technique used for mastering composition. With plenty of examples and an on-location photo session (photos below) we will demonstrate how to effectively use techniques such as light figure on a dark background (vice versa), aspective view, and separating shapes. The figure-ground relationship video also touches on other techniques like dynamic symmetry, gamutarabesques, and coincidences to create a masterpiece. These are all the same techniques used by master painters and they can be applied to your art, whether it’s photography, painting, or sculpting to clearly communicate to your viewer with power. This figure-ground relationship video is one of the most important tools for communicating your art with clarity!

*Pre-Requisite – since Gamut greatly relates to the dynamic symmetry of root rectangles (see Day 14) it would be beneficial if you familiarized yourself with it a bit. Not necessary, because the techniques in the video still apply, but it would heighten your level of comprehension. Alternatively, I have several videos on YouTube that explain dynamic symmetry.

Learn About the Other Priceless Videos

  1. Law of Continuity
  2. Figure-Ground Relationship (current page)
  3. Law of Proximity
  4. Law of Similarity
  5. Law of Pragnanz
  6. Law of Closure
  7. Law of Symmetry

MandyCollage-1-blog

On-location photos for the figure-ground relationship video.

canon-of-design-techniques-for-artistic-photographers-gestalt-psychology-videos-2

Gestalt Psychology Video Collection

EMAIL Download includes:
7 HD videos- Law of Continuity, Figure-Ground Relationship, Law of Proximity, Law of Similarity, Law of Pregnanz, Law of Symmetry, Law of Closure

After purchasing the collection, you will receive an email within 1-8 hours that will include your download links. On a MOBILE DEVICE? No worries! With the link in the email you can get the goodies when you’re back at your main computer.

Total Running Time: 1h 32m
Quality: 1080p HD
Download Size: 5.8GB

$184.99 $79.99 SAVE!





Mastering-Composition-Gestalt-Psychology-Figure-ground-relationship-magician-secret
Canon-of-Design-mastering-composition-testimonials-2018-1

IPOX studios, LLC - Canon of Design - Copyright 2018. All Rights Reserved. Up